01 Patchwork (9:45)
02 Old Wave (6:51)
03 Pentachrome (7:21)
04 The Expanding Universe (21:40)
Total time: 45:36
Laurie Spiegel: programming and live processing
Recorded 1979, LP released on Philo Records, 1980
[Note: I had to shorten track #4 due to unwanted surface noise
in the first minutes].
I used a keyboard, a drawing tablet, pushbuttons and knobs which the computer monitored and recorded, and I wrote complex algorhythms (in FORTRAN) to process the data from these devices and derived from it much more complex music than I actually played.
(L.S. from the liner notes).
First full-length LP by US composer Laurie Spiegel (b. 1945), ‘The Expanding Universe’ is a suite of 4 electronic pieces composed on Max Mathews’ GROOVE system and released on folk label Philo Records, an imprint of Rounder Records. Trained as a banjo player and lutenist, Laurie Spiegel first discovered the Buchla synthesizer at NY Juillard School in 1969, studying it with Michael Czajkowski in Morton Subotnik’s studio. Later at the Bell Labs from 1973 to 1979 with Max Mathews and Emmanual Ghent, she worked with the interactive GROOVE System (Generated Real-time Output Operations on Voltage-controlled Equipment), a mix of programming and real-time sound processing, based on sounds generated by an oscillator, and allowing precise live control of pitch, attack and decay, stero effects, etc. Each track on this recording is based on one electronic sound source, be it a droning, pulsating or beating sound, which is then processed and developped to add depth, complexity and variation. Opener ‘Patchwork’ is a joyous dance tune based on a square electronic rhythm, its synthetic enveloppe endlessly morphing. The short ‘Old Wave’ is a chorale of exultant electronic tonalities – an excerpt from a ballet written by Spiegel, according to her interview on the cover. Track #3 includes percussion-like sounds synched with the electronic melody. Most impressive is the massive side-long meditation ‘The Expanding Universe’. It takes several listenings to realise the droning is not static, but that subtle pitch changes constantly occur, almost un-noticed at first. As microtonal layers evolve around the fundamental pitch, the electronic sound seems to be endlessly forced into some kind of entropic, slow-motion whirring sonic process. Heard from the appropriate angle – headphones being an option – this awesome music is mesmerizing. Now, please, reissue this.
Selected discography:
- Music for New Electronic Media LP, 1750 Arch Records 1977 (incl. Appalachian Grove, 1974)
- The Expanding Universe LP, Philo Records, 1980
- New American Music Vol. 2 [date?] (incl. Drums 1975 & Voices Within: A Requiem 1979)
*sounds promising – many thanks*
hi there,
I have a question about music fests, do you have an email?
regards
Aaron
Hi, you can reach me at:
teepeesfrp [at] yahoo [dot] fr
These “possibly related posts” are very funny.
“How could Allah create the world in 6 days if science has proved that the world and universe took millions of years to make?”
nice one. i didn’t know about her solo LP – i have the LP with ‘appalachian grove’ on it, which is a wonderful record. she also produced a piece of music called ‘harmonices mundi’ which got encoded onto the gold plaque that went off with the first voyager probe in 1977. table of the elements released it a few years ago…
We definitely need a Laurie Spiegel Complete Works CD. Hopefully, her inclusion in the Sub Rosa compilation series will help. ‘The Expanding Universe’ is a masterpiece. Thanks for your comment, Rob.
Nice one. Thanx a million…
@Jardim
Days, years, the precession of the equinoxes (also called the Great or Platonic Year), everything moves in cycles. A universal or cosmic dance as portrayed by the whirling dervishes. A “day” or one cycle in terms of the the sun is equal to about 28 earth cycles, a “day” in terms of the solar system… etc. etc. From the perspective of a creator 6 days are like 6 eons to a human being.
The expanding universe is the expanding consciousness. To expand one’s consciousness is to become more whole or one, one with the universe, one with the one (Allah).
L&L
Thank you for this. I stumbled across a reference to this piece quite by accident, and from the brief description knew that this was music I’d been waiting for my whole life.
Nice comment. Thanks.
great music! thanks for this!
this is really really good! formula: girls + computers + music = maximum righteousness possible :P what a babe
lotsa thanks!
This is supposedly getting a reissue via unseen worlds records this fall.
I am very excited for that
september, 25 2012, re-realease with new material in double cd !!!!
:)
At last!